Theory in Magic: A Capstone Course for Majors in Religious Studies

This seminar explores the complicated relationship between magic and religion in modernity. By analyzing the cultural history of specific magic tricks – including the mechanics and aesthetics of their performance, the public and private lives of associated magicians, and the ways in which different audience members responded to them – we seek to understand better how magic shows worked simultaneously to mimic, satirize, and regulate various religious traditions. Along the way we will see also how different classes of “magicians” – including those who claim supernatural power, those who claim only to be acting, and those who seek academically to understand them both – have worked jointly and often ironically to ensure the vitality of magic and religion in modernity.

 

This syllabus was created for the Young Scholars in American Religion program.

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